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A Book of Ken Domon


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DOMON Ken passed away quietly on September 15, 1990 at Toranomon Hospital in Tokyo, after eleven years in the hospital. He never regained consciousness following a stroke, his third, which he suffered in 1979.
He had once said, “Everyone must die. There is nothing you can do about it, and I am certainly going to die one day too. Death and life are absolutes, because they are reality.” One might say that he had submitted to the absoluteness of reality, and had even accepted it serenely. In any case, the realism of DOMON Ken was a pursuit of the absoluteness of “reality” wherever it might lead him. And he held the same view with regard to life and death.

Ken was born the eldest son of DOMON Kumazo, his father, and Tomie, his mother, in the Aioi section of today’s Sakata City, Yamagata Prefecture on October 25, 1909. In naming him “Ken,” which means “fist,” Kumazo hoped that his son would make something of himself, barehanded (tosh-kuken). In Watashi no rirekisyo ( My curriculum vitae ), DOMON describes the landscapes of his formative years. ” I grew up in the embrace of Nature in this northern region, where the winter skies present an unbroken blanket of low-hanging snow clouds and waves crest over the lead-colored Japan Sea, where spring finds the peach, plum and cherry wakening to blossom all at once, and where Mt. Chokai, with its glistening remnants of snow, stands out against the deep blue sky of summer.”

But the environment in which he spent his childhood was by no means cheerful. His parents quarreled constantly, and after they went to Tokyo to try to make a new start, he followed them in 1916, taken there by an uncle.

He graduated from Yokohama Dai-ni Middle School in 1928. At that time DOMON dreamed of becoming a painter, but he happened to see Admonitions of the Imperial Instructress, a painting by Qu Kai Zhi, a famous Chinese painter of the 4th century, and “reached the conclusion that, with my ability, even after a lifetime I would never be as good as that. After a depressing and painful stocktaking, I gave up my dream of becoming a painter and broke all of my brushes” ( Watashi no rirekisho). He eventually got involved in the peasant movement, but after repeated arrests, had no choice but to give up.

This was his second setback, but these experiences had opened his eyes to the contradictions of the social structure. The ground for the ideas about social realism and ethnic realism, which were incorporated in his photographs after the war, was cultivated in this period.

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Sankyo Soko ( Rice Storehouse )

Constructed in 1893, Sankyo Rice Storehouse is comprised of 12 storehouses. This facility was only used for storing rice, and 9 of the storehouses are still in use today. The rest have been renovated into the Shonai Rice Museum and Sakata Yume no Kura.

The insulted double-tiered roof, the whitewashed plaster walls, and the soil floor containing magnesium chloride, were constructed to prevent humidity and maintain a low temperature to keep rice quality stable year round. The walls at the back of the storehouses are covered with the line of zelkova trees not only provides shade from the sun, but also protects all 12 buildings from the wind.

The rice used to be packed in rice bales made of straw. One bale was 60 kg, which is approx. 27 lb. A single storehouse can hold 20,000 bales (1,200 tons; approx. 550,000 lb. )  Given that there are 9 storehouses still used, a total of 180,000 bales ( 10,800 tons; approx. 5,000,000 lb.) are stored.

People in Sakata have admired and regarded Sankyo Rice Storehouse and the zelkova trees as a symbol of prosperity, and thus a symbol of the city.

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The well-known TV drama Oshin was filmed in many places in Yamagata Prefecture, and one of the filming locations was here at Sankyo Rice Storehouse. The drama aired from 1983 to 1984, and after that was broadcast in many countries all over the world. The scene at the storehouse was rather short, but it moved the audience to tears. This memorable touching scene has made the location so famous that a lot of travelers visit every year.
(from Sankyo Soko Pamphlet )


about Sankyo Soko

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Sakata Sanno-sai Sairei Kame Kasa Hoko

Sakata Sanno-sai Sairei Kame Kasa Hoko
Skata city-designated tangible folklore cultural asset

During the Chinju Hie Shrine Festival in Sakata, called Sakata Sanno-sai (presently the Sakata Festival ), each neighborhood contributed a float the festival, Mitsuoka Honma, head of the third generation of the Honma Family, commissioned the Kame Kasa Hoko parade float to contribute splendor to the Sanno Festival and enliven the city. Taking a hint from the Kyoto Gion Festival, in 1765 he had the float built by a Kyoto puppeteer and brought by ship to Sakata.

A Kame Hoko ( turtle float )was chosen because the Kamegasaki Castle was a part of Sakata’s his tory. And turtles were thought to be messengers of the Sea God’s Palace and thus considered very auspicious.

IMG_5052In addition, the head of this turtle resembles the head of dragon. This is apparently connected to the fact that the Sintai god at Kamihie Shrine is dragon god.

For many years, each time the Sanno Festival was held the float was placed in front of the Honma Residence. It was also part of the parade procession and came to be known as “The Honma Family’s turtle.”
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In February 2001, it was donated the city of Sakata and designated as a tangible folklore cultural asset. For the two years 2001 and 2002 it underwent repairs and the umbrella was newly restored.

Kamikasa Hoko has an intimate history connected with the Sakata Sanno Festival.
(Sakata Board of Education)

(Displayed in Sankyo Souko)

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KEN DOMON Memorial Hall (From Museums in Yamagata )

This museum displays the work of world famous photographer Ken Domon. Domon’s powerful masterpieces the “Pilgrimage to Old Temples” and “Hiroshima” series, and his other photographs are on view. The work of top artists, such as the beauty of this building that complements the natural surroundings, the gardens, sculptures and the work’s name plates, all combine to create the artistic space in this museum.
(From the guidebook “Museums in Yamagata”)

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About Ken Domon (1909 〜 1990)
A photographer, born in Sakata City, Ymagata Prefecture. He is a great master who established the realism in the photographic  world. He was in a certain period called a demon for news photographic work and is now well known throughout the world.
” A Pilgrimage through Old Temples”, his lifework, is regarded as the pinnacle among his masterpieces and is followed by the similarly distinguished works, such as “Muroji Temple”, “Hiroshima”, “The Children in Chikuho”, “Bunraku Puppets”, “Features”, “Old Ceramics in Japan”, “Wanderings through Old Kilns”, “Lives of Japanese Master-hands” and many other works. Every work of these is famous respectively as a great monument.
The artistic value of Ken Domon is said to lie in his snappings at the beauties of Japan and minds of the Japanese. His achievements in photography are highly evaluated and he won not only the first Ars Photographic Culture Prize in 1943, but got many excellent prizes. He was decorated in 1972 with a Purple Ribbon Medal, and in 1980 with the Fourth Order of Merit with Minor Cordon of the Rising Sun.
(From a guidebook of Ken Domon Museum of Photography)

Ken Domon Memorial Hall Web

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Honma Museum of Art

IMG_2157This museum opened in 1947 to promote regional culture. The museum is housed in Si-enkaku, a former villa of the Homma family that was built in 1813, with the garden Kkubu-en , which is an nationally designated scenic spot. There is also an annex completed in 1968.  (From the guidebook of “Museums in Yamagata” )